Chennai artists discover philosophical questions by means of abstraction on this show

Philosophical questions are answered by means of abstraction on this show by alumni of Government College of Fine Arts

Philosophical questions are answered by means of abstraction on this show by alumni of Government College of Fine Arts

Color characterizes Nungambakkam’s Gallery Veda at present, as textured canvases that span mediums, genres and thought processes adorn the partitions. A geometrical canvas sporting hues of purple, blue, yellow, inexperienced and orange, is difficult to overlook — titled Golden Eye and tactfully positioned on the far finish from the entry level, the work by Prabhakaran S, is a jolting deviation from the remainder as circles take form from the flat floor divided into quadrants.

On the aspect partitions grasp Venkatesh Balasubramaniam’s collection of summary works characterised by heavy brush strokes and blotches of settled paint; dealing with which is a body that holds vivid orange, blue and pink fiber strips superimposed on a mirror-like floor which Alagarraja Ponniah calls A Movement Suspended in Time.

From artist Narayanan's Totality series

From artist Narayanan’s Totality collection | Photo Credit: SPECIAL ARRANGEMENT

This various showcase is intriguingly titled 5 Art Bananas — ask the curator Venkatesh what it means and a reminder follows: of Maurizio Cattelan’s notorious banana duct-taped to the wall at Art Basel (titled Comedian) that went for $1,20,000, which was later pulled off and eaten by a efficiency artist.

The artists whose works characteristic on this show are “our own local bananas”, says Venkatesh. The banana was instantly changed, highlighting that the intention of the artist is the actual artwork. “For me, this was a defining moment of how the industry is changing. Each of these artists is influencing the world through a social context. This also happens to be the thought behind Genesis.”

Genesis is a city-based collective, formed through 1993 to 1998, that put the spotlight on a group of more than 23 like-minded artists, who were also alumni of the Government College of Fine Arts, Egmore. They started with a show at Lalitkala Akademi, and continued until 2008 when the collective shrunk. “The focus was always on South Indian art which deserved more visibility,” says Venkatesh.

Artist Venkatesh's Interconnectedness IV

Artist Venkatesh’s Interconnectedness IV | Photo Credit: SPECIAL ARRANGEMENT

5 Art Bananas, which was formally inaugurated by Bose Krishmachari, marks the primary time since 2008 that the collective and its remaining members are coming collectively to point out their various practices. “It took us three years to pull this off together,” he says. In the meantime, every of the artists has advanced of their particular person practices.

Take for example Ganesh Selavaraj’s works: the artist who dabbled in oils and acrylics on canvas has now settled on paper as a most popular medium. “Through the medium of paper, he is asking whether we can approach a piece of art without preconceived knowledge or notions,” he says. Venkatesh’s work explores the idea of ‘thought’ as the start line of life — the very aspect that strikes life ahead. Prabhakaran’s Inception is reliant on textual content. In one body, he writes, “My mom signed my beginning certificates; at present I’m signing her loss of life certificates.” A metaphor to the circle of life, Prabhakaran’s work is an incubatory space where thoughts push and pull at each other, in order to find a balance. Alagaraj’s work holds a mirror up to us, and sometimes quite literally through his use of unusual mediums. And Narayanan’s Totality explores the spiritual journey of human life by eliminating the dimension of conditioning, says Venkatesh. He uses a ball of yarn or thread as a motif that appears time and again.

Alagarraja Ponniah's A Moment Suspended in Time

Alagarraja Ponniah’s A Moment Suspended in Time | Photo Credit: SPECIAL ARRANGEMENT

Genesis hopes to maintain this momentum going. “We are planning to show this exhibition in Bengaluru and Hyderabad next, the proposals are being prepared now,” says Venkatesh. The purpose is to develop from 5 to 500 artists within the coming months. “I believe this would bring the Madras Art Movement to the spotlight once again,” he concludes.

5 Art Bananas shall be on view until March 23 at Gallery Veda from 11am to 7pm

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