Artist from Tamil Nadu captures his hometown in panorama work


Artist Puviyarasu Kannadasan wanders via paddy fields and temple festivals along with his easel and pen to seize his dwelling Arani in Tiruvallur on canvas

Artist Puviyarasu Kannadasan wanders via paddy fields and temple festivals along with his easel and pen to seize his dwelling Arani in Tiruvallur on canvas

Every morning, earlier than the golden hour strikes, Puviyarasu Kannadasan units out on his trusty bike along with his companions: a canvas, an easel, a black pen and a few paints. When he sees a sight that tugs at him, he stops, props up the easel and begins his work.

Wielding a black pen, he traces what’s earlier than him: be it an empty, quiet pastoral subject, or a temple floor that spills chaotic vitality. Bits and items of the city he grew up in — Arani in Tiruvallur — thus sprawls throughout Puviayarsu’s canvases, largely black-and-white. At his first-ever solo present titled Petrichor, in DakshinaChitra Museum, 28 such creations (each sketches and work) are on show.

Puviyarasu Kannadasan

Puviyarasu Kannadasan | Photo Credit: SPECIAL ARRANGEMENT

Puviyarasu vividly remembers his first brush with artwork: as an eight-year-old youngster, he would accompany kinfolk as they went round city making signage and banners. The little boy would wait on the artists, clear their brushes and run errands. When banner artwork was digitised, this got here to a standstill.

“But I wanted to take this interest forward, by somehow enrolling in the College of Fine Arts, Chennai. I didn’t even know about the college till then,” he remembers. Under the tutelage of artist Illaiyaraja, he cracked the doorway — “that was the biggest achievement for me.” When he discovered himself within the visible communication division, he was disenchanted as a result of he wished to concentrate on portray . It was with the steerage of his seniors that he, later, got here to know of his knack for recreating landscapes.

“After that, till my fourth year at the college, I kept painting landscapes,” says Puviyarasu. However, after his faculty days in 2007, he broke away to dabble in cinema: as an assistant cameraman. “It didn’t last long. Next stop was animation which was also short-lived. I wasn’t satisfied.” Until he started painting again. “I felt like whatever I wanted to honestly express was in my work all along. But leaving something so dear to me, I went in search of other occupations,” he remembers.

Artist Puviyarasu Kannadasan's work

Artist Puviyarasu Kannadasan’s work | Photo Credit: SPECIAL ARRANGEMENT

Getting again to what he liked most, was a life-changing step for the artist. Speaking of his selection of medium and materials, the artist says, “Monotone always creates a greater impact. Moreover, a pen is easier to wield, I feel like I am able to express myself freely with a pen. A passing strike of a pen on paper is similar to a strike on my creative mind.” Apart from this, a figuring out issue for his work is the time : “Light plays a major role in my landscapes.” I normally set out at 6.30 am. My work virtually stops at 11 am. In the afternoon, 2.30 pm to five.30 pm is an efficient window.” It’s not typically that he manages to complete a piece in a day. He continues, “Sometimes, it takes me per week to seize the ‘really feel’ of the sight. So I preserve going again.”

Artist Puviyarasu Kannadasan's work

Artist Puviyarasu Kannadasan’s work | Photo Credit: SPECIAL ARRANGEMENT

Now, whereas he works as an artwork instructor in a close-by faculty, he makes certain to proceed his private observe. “I am so happy that I am able to live as an artist among those who I grew up around. Each day, when I go around town, I am learning more and more about life. I see new colours,” says Puviyarasu.

Petrichor is on show at Kadambari Art Gallery until February 28



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